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Raymond Bellour (born 1939 in Lyon) is a French writer, critic and theorist of cinema.〔Warren Buckland, 'From System to Structure : The Film Semiology of Raymond Bellour', ''Essays in Poetics'', 18, 2 (1993): 42-68〕 Bellour is Director of Research Emeritus at the CNRS. Since 1986 he has taught at Paris III.〔Michael Goddard, (Raymond Bellour ), in Colman, ed., ''Film, Theory and Philosophy''〕 In 1990 with Christine Van Assche and Catherine David he co-curated the ''Passages de l'image'' exhibition at the Centre Georges Pompidou.〔(Raymond Bellour (France, 1939- ) )〕 In 1991, with Serge Daney, he helped found the journal ''Trafic''.〔 ==Works== * ''Le Livre des autres: entretiens avec M. Foucault, C. Lévi-Strauss, R. Barthes, P. Francastel ...'', L’Herne, 1971 * 'Segmenting/Analysing', ''Quarterly Review of Film Studies'', Vol. 1, No. 3, August 1976, pp. 331–353 * ''L'Analyse du film'', 1979. Translated as ''The Analysis of Film'' * 'Psychosis, Neurosis, Perversion', ''Camera Obscura'', nos 3–4, 1979, pp. 104–34. Reprinted in Marshall Deutelbaum, Leland A. Poague, eds., ''A Hitchcock Reader'', 2nd ed., Wiley-Blackwell, 2009, pp. 341 ff. * ''Henri Michaux'', 1986 * ''Mademoiselle Guillotine'', 1989 * ''Eye for I: Video Self-Portraits'', New York: Independent Curators Inc., 1989 * ''L'Entre-Images: Photo, Cinéma, Vidéo'', 1990 * ''Jean-Luc Godard: Son + Image 1974-1991'', 1992 * ''Oubli'', 1992 * ''L'Entre-Images 2'', 1999 * ''Partages de l'ombre'', 2002 * ''Le Corps du cinéma'', 2009 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Raymond Bellour」の詳細全文を読む スポンサード リンク
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